This Floating Excrement Was Far Too Symbolic! These Are the TV Disappointments of the Past Year.

Looking back, we consider the TV landscape of the recent year, a selection of shows stand out not for their brilliance, but for their notable failures. Ranging from cringe-inducing sequels to confusingly poor docuseries, here are the productions that left us utterly bewildered or just reaching for the remote.

And Just Like That

How to start with this divisive spin-off? Plagued with woeful scripts, painful character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series fought to find its footing. Briefly, as the final season began, it looked like it had at last found its groove. Then came an installment all about Seema’s natural deodorant. No wonder the showrunner announced this would be the final series. It concluded on a low point; the lingering shot of Miranda’s loo flooded with poo was simply too symbolic. Still, fans certainly found joy picking apart every single “wtf?” moment. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who didn’t release a small sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the smallest of this drama's problems. The recipient of a exceedingly uncommon zero star review, it was difficult to know where to begin enumerating the problems. The hilariously wooden writing? The tedious veneration of affluence and consumption? The almost deliberate procession of cliches? Acting so poor they felt almost spiteful? Let’s just say “each and every one” and forget about this series again. However, a new season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Given the legal troubles, domestic violence allegations and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d truly have known it from this three-part documentary which smirked its way at Sheen’s various episodes of self-destructive hedonism while failing to tell us anything we weren't already aware of. Instead, it felt as if this volatile personality was being indulged, so any pity this series might evoke should be reserved for the people who have had to endure proximity with this charming but dismissive egotist.

The Supercomputer Drama

Of course we knew it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure admiration for its stars … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy figures convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didn’t suffer the ignominy of having to accommodate baffling dialects. But there were plenty of other problems. Mainly that it was just profoundly dull; a conflict over narcotics territory between various London rogues which seemed rather simplistic.

With Love, Meghan

Given the extent to which she provokes the ire of the nation’s performatively angry commentators, it’s temptingly easy to admire the Duchess of Sussex’s televised ventures into quaint lifestyle as intentional provocations. But then you view them and are compelled to concede that actually, they might have a point. It’s like watching a lifestyle catalogue come to life; a poster for evening drinks with ideas of grandeur; a parade of sleeping dogs, humming beehives, Hallmark sayings and pointless crafting “hacks” you’ll forget instantly. All supported by vast, largely undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be said about regarding Victoria Beckham and her journey with career, self-image, self-acceptance. But for whatever reason, this documentary series opted not to explore them. Instead, the experience was akin to consuming a sales catalogue. She clearly has every right to bridle at what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this guarded non-event of a series.

The Game Show

It should have been the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality managing her estate. What more could you want? As players battled it out, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s even now too complicated to explain what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a production that was trying way too hard to live up to something way beyond it.

Too Much

How do you succeed a show that defined a generation? The pressure was immense for this starry romcom about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The star seized the opportunity by the horns and was joyous to watch, embodying Jane Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the abundance of celebrity cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the smart recruitment of talented younger comics, expectations were high. But sadly, most of it fell flat. A recurring sketch was a single joke milked to a husk but recurring in every episode. One star seemed too willing to slip into a well-known irate mode. The writing room sketches, meanwhile, simply provoked the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled sensitively. Rather, the series laboured awkwardly to find the right voice, lumbering from oddly jaunty, slightly mannered farce to inevitably, real-life horror. Complex? Perhaps. A total mess? Absolutely.

The Maths Genius Thriller

We admire the star … but did we buy him playing the greatest maths genius since, a man so intelligent he’s on the verge of a discovery that could destabilise society? Nope! This international thriller about secret services spying on – and killing off – academics frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator renowned for explicit exploits as she prepared for her most extreme feat yet. What on earth would motivate her? What we craved was way more interrogation of her actual psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to haul her son out of the queue. What we got was horrific imagery and zero critical analysis of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Christopher Adams
Christopher Adams

Elena is a seasoned real estate strategist and community builder, dedicated to connecting professionals across the Netherlands.