Helmed by Bristol sound co-founder Geoff Barrow, this scabrous if undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (the actor) first robs an passed-out supplier, then in a later recollection tries to break into his own family home. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the rave-era youth were mainly focused on number one – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Still, a grimly amusing duel takes hold – David eager to get away; the Poacher withholding his jerrycan of cider, intent on dousing him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single key story turn, but it results in a comically executed rampage on the forest trails that dips close to folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the early stages, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film is in UK and Irish cinemas from 17 November.
